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Woodblock

  • Writer: Darrell Haemer
    Darrell Haemer
  • Mar 21
  • 2 min read

An auxiliary instrument


Back when I was playing music in a band, we were working on writing some new songs. It occurred to me that our drummer could potentially make good use of a woodblock as part of the kit.


After doing a bit of research, I didn't have much info to go on. Having some experience with percussion instruments in the past, I was aware of a couple approaches I could take, and of a couple principles to keep in mind. But I was really just winging this one and hoping for the best.


Our drummer in the band was a pretty heavy hitter, so I wanted to make something he could have fun with and also not destroy. I started out with a piece of Red Oak I figured would work fine for the body. It's probably a pretty poor "tone wood" (woods that are considered to have good tone-producing qualities), but this was just going to be the underside, and not the main resonating component.


Woodblock view from front and side showing the Red Oak body and Black Cherry top and striking edge

For the top, I found a nice piece of Black Cherry. For the striking area (the front top edge), I wanted to reinforce it for strength, and also to create a crisper and more obvious striking area, so I just added a Black Cherry rounded bead there. The angle on the front was mostly for aesthetics. I'm not sure what affect it might have on the sound compared to a straight front.


Woodblock shown from the side, showing end grain of Red Oak and angled contour of the front

The tricky part was the mounting. These get mounted on metal rods clamped to other components of the drum kit (or percussion kit). Here's a straight rod clamped on the rim of my floor tom. This is what the woodblock will mount on.

Knurled metal rod anchored onto a floor tom of a drum set

So, I had a bit of figuring to do so the woodblock would have a mechanism for clamping onto one of these rods. The long story short is this: I drilled a hole that could slip over a rod, then used a threaded insert that could tighten a thumb screw onto the rod. The rest of it is mostly aesthetic, but I didn't want the entire back of the woodblock to be 1" thick, hence the added curvy part.


Woodblock from the back showing the mounting bracket and threaded insert for tightening onto a rod

Here it is mounted on the kit.


Woodblock mounted onto the rod on the drum kit, hovering slightly above the floor tom

Our drummer said it took a pretty solid hit to get a good sound, but it did sound pretty good once he discovered that. It's not a sensitive woodblock, but I think I knew that when I was making it.


The band disappeared, but I still have the woodblock, so let me know if you want to get together and...play the woodblock.

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